If Max Payne and Hotline Miami got into a horrible teleporter accident, the result would probably look a lot like The Hong Kong Massacre. Released today, five years after RPS first covered it, it looks like a blend of Miami’s frantic twitch shooting with Payne’s slow-motion evasion plus a dash of John Woo’s penchant for over-the-top impact effects. Developers Vreski are clearly proud of their clouds of sparks, paper, chunks of wall and puffs of blood as bodies hit the floor. Take a look at just how many particle effects can be crammed on-screen in the trailer below.
from Rock, Paper, Shotgun http://bit.ly/2R3qpvq
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