Mittwoch, 4. März 2020

The secrets of Ori And The Will Of The Wisps’ incredible music

It’s quite rare for a composer to be offered as the spokesperson for an upcoming game, but it’s also quite rare for a game to sound as good as Ori And The Will Of The Wisps. So good, in fact, that it was Gareth Coker’s tinkling ivories that were first used to announce the game at E3 2017, where he sat at his piano and played a live accompaniment to that incredible footage. Okay, it doesn’t have the star factor of a Keanu, but it’s breathtaking in its own way.

With Ori 2 releasing on March 11, we got to chat to Coker about what makes the new soundtrack, and the game underneath, tick. Turns out it’s not just about playing the hits – although I am dying to hear “the most emphatic” version of the main Ori theme – but showing character psychology through subtle tweaks, and establishing a larger cast of characters without driving ears insane with repetition. And you thought Ori’s job was tough.

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